The origin of the popular saying “The customer is always right” is attributed to the founder of Confeitaria Colombo, a resident of the Glória neighborhood in Rio de Janeiro, who honored him by giving his name to one of its small alleys, Manoel José Lebrão (1868-1933).
The Guanabara Palace in Rio de Janeiro was originally of neoclassical design, its construction started by the Portuguese José Machado Coelho in 1853, initially serving as a private residence until the 1860s. In 1865, it became the residence of Princess Isabel and her husband, the Count d’Eu, hence known as the Paço Isabel.
The Tiradentes Palace, erected on May 6, 1926, in the city of Rio de Janeiro, is an emblematic building that has housed various institutions over the years. Initially intended for the Chamber of Deputies until 1960, it now serves as the current headquarters of the Legislative Assembly of the State of Rio de Janeiro.
Rio de Janeiro, bathed in golden beaches and embraced by imposing mountains, is a symphony of contrasts. On one side, there’s the vibrant hustle of urban life, full of colors, rhythms, and an infectious energy. On the other, the serenity of natural landscapes that frame the city, such as the iconic Sugarloaf Mountain and the Christ the Redeemer statue, silent witnesses of time. The unique blend of cultures and the contagious joy of the carioca people resonate in the streets, in the captivating sambas, and in the passion for football. It’s a place where life unfolds to the rhythm of the waves and the beats of the heart of those who surrender to the magic of the Marvelous City.
The Portuguese court was already in Rio de Janeiro, having fled from the Napoleonic troops, with Queen Maria passing away on March 20, 1816, and the Prince Regent, João VI, becoming the king. Unlike previous kings, who had been crowned shortly after the death of their predecessor, João VI chose to wait a year for his coronation ceremony.
The story of the poem begins in João Cabral de Melo Neto’s private press in 1949. This poem is what was then called a “plaquete” (or booklet). The publication consists of a single, long poem by Vinicius. Friends since 1942, when Vinicius visited Recife with Waldo Frank, the two diplomats from the Brazilian Ministry of Foreign Affairs corresponded frequently during that time. It was a period when Vinicius was still in Los Angeles, and João Cabral was in Barcelona.
Baron of Mauá, whose real name was Irineu Evangelista de Sousa, was a prominent figure in 19th-century Brazilian history. He played a significant role in the economic and industrial development of the country. The childhood of Irineu Evangelista de Sousa, better known as Baron of Mauá, is a fascinating and often overlooked chapter in the history of one of Brazil’s most prominent entrepreneurs and visionaries.
The equestrian statue of King Dom João VI in Praça XV in the city of Rio de Janeiro was offered in 1965, during the IV Centenary of the Founding of the City of Rio de Janeiro, by the Portuguese government as a tribute to the King of Portugal, who lived in Brazil from 1808 to 1821. Dom João VI was a Portuguese monarch who played a significant role in the history of Brazil during the early 19th century. He was born in 1767 and became the Prince Regent of Portugal in 1799 due to the insanity of his mother, Queen Dona Maria I. His stay in Brazil and his subsequent elevation to the status of king had several historical implications.
The Mauá Railroad, officially known as the Imperial Steam Navigation and Petrópolis Railroad Company, was the first railway established in Brazil and the third in South America. It was built in 1854 by Irineu Evangelista de Sousa, Baron of Mauá. Initially, it connected the Port of Mauá to Fragoso, in Rio de Janeiro, with later extensions to Petrópolis and Areal.
